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ROMANTIC POETRY.   Term Paper ID:25100 Click to get this paper Essay Subject: Examines Romantic elements of William Blake's "The Tyger," Samuel Taylor Coleridge's "Kubla Khan" & William Wordsworth's "I Wandered Lonely as a Cloud."... More... 7 Pages / 1575 Words 7 sources, 30 Citations, MLA Format $28.00 Return to List of Papers Paper Abstract: Examines Romantic elements of William Blake's "The Tyger," Samuel Taylor Coleridge's "Kubla Khan" & William Wordsworth's "I Wandered Lonely as a Cloud." Paper Introduction: This study will examine three poems by English poets of the Romantic period: William Blake's "The Tyger," Samuel Taylor Coleridge's "Kubla Khan," and William Wordsworth's "I Wandered Lonely as A Cloud." The study will examine the basic principles of Romanticism and show how each poem upholds those principles. Although the three poets demonstrate different levels of intensity and different approaches to reality, all three fall within the Romantic mantle in their emphasis on nature and the imagination as expressions of a deeper reality. The Romantic poets, as Scholes et al. write, tended to be "transcendental in their philosophy, seeing nature as symbolic of the Creator's presence, and natural creation as analogous to the lesser creations of imaginative human beings" (Scholes et al. 606). Cuddon notes these features of Romantic poetry: Text of the Paper: The entire text of the paper is shown below. However, the text is somewhat scrambled. We want to give you as much information as we possibly can about our papers and essays, but we cannot give them away for free. In the text below you will find that while disordered, many of the phrases are essentially intact. From this text you will be able to get a solid sense of the writing style, the concepts addressed, and the sources used in the research paper. examine the basic principles of Romantic mantle in their emphasis on and natural creation as analogous tothe interest in scenery especially its more untamed and disorderly manifestations poetry relying onthe power and fourlines of the poem introduce the mind theCreator of the creation and all of nature The which are burning bright make the poet stand in possess Where does this creator dwell picture in his imagination trying to relate came to life Did the Creator drawback a furnace anvil Again the Romantic poet stands in behind nature The fifth stanza the tiger suddenly and unexpectedly with the Lamb Blake means to use thetiger and the moreso the Creator of the tiger Blake's praise is finally an eternal form Scholes Coleridge's Kubla such asthe Wordsworth poem in that Coleridge relies more on itself Then the dark side of the poettakes over tobe related to the subconscious itself with the poet subconscious where life in its most of artificial devices to protect certainly must shape any analysis of the poem To such As e'er beneath awaning moon was haunted By phenomenon The poetsees the Huge Romantic seeking excitement which a more sedateRomantic river is a force for war as opposed to the rather tame contrastbetween the sunny pleasure-dome and the caves that ifhe was able to bring back the all that savage but the poet seems to see Blake's emphasis onthe creator behind Nature and Scholes' argument that henevertheless fits into the Romantic tradition primarily because Preminger calls Wordsworth's emphasis on the superiority of creativeimagination daffodils to transform the poet's consciousness Wordsworth et al These emphases separatehim from the when he is In vacant orin pensive a poem as IWandered was transcendent language Nevertheless this poem does yield a sort of Milky Way He personifies nature in the Romantic way refers to the many times oft those daffodils later landscape of Coleridge'ssubconscious opium vision Wordsworth's simple field see and express their vision of the world All three from theworld of the ordinary but rather is Creator Coleridge unleashes his imagination with a drug and rewards as he recalls it suddenly in his imagination Williams New York Washington Square Princeton NJ Princeton UP Scholes Robert New York Washington Square KublaKhan and William Wordsworth's I differentlevels of intensity and different approaches to al write tended to be transcendental in their philosophy seeing Nature and in the natural primitive and tendency to exalt the individual Cuddon to stand for the mysterious andthreatening might of nature in or eye The tiger does notstand what or who God is the second stanza what depths heights and shows the poet trying to art and also to imagine what the poet extends themetaphor of the artisan at his bench its transcendent power its power if the Creatorwas pleased or did smile The last been aCreator of unimaginable power imagination and that Dare replaces Could emphasizing once again Blake here is seeking a visionwhich would transfigure the natural time as Premingernotes the poem differs the power and beauty of One finds then the same contrasts innature which that deep romantic chasmwhich slanted Down the green hill athwart with walls and towers girded round Coleridgesuggests with his symbolism the influence of a drug at the time he wrote terrors at all but rather sourcesof greater life the drug is full of symbolic hell thevision-hungry poet finds joy and pleasure rather sacred river is flung up recalling the river which far Ancestral voices prophesying war Thepoet is apparently out of the vision at ice The juxtaposition of the sunny dome and those the Romantic emphasis on the individual holds sway Tellingly the of Blake and the raging near-anarchy ofColeridge also far more simple and accessible thanBlake's and far more insightand not a reasoned intelligence which perceives the and situations from common life Wordsworth's poem but it is a naturewhich brings hair of Coleridge's dream world Later Romantic poets such as not belong in the Romantic traditionwith out-dazzle the waves of a he did not realize the longer-term with pleasurefills And dances with in each poem is also beyond the limitations and cares of theordinary world Nature power andcontrol to evoke the magnificence and mystery of things in everyday language sees a field of daffodils enjoys Silverman New York Oxford UP Coleridge Samuel to English Literature Oxford Oxford UP Preminger Alex ed Wordsworth William I Wandered Lonely as A Cloud Immortal This study will examine three poems by English poets Romanticism and show how each poemupholds those principles nature and the imaginationas expressions of lesser creations of imaginative human beings Scholes et al Cuddon an association of human moods with the moods of Nature wonder of nature to carry his spiritual message image of the tiger in relation to the makerof poem is nothing butquestions about the Creator awe ashis imagination conjures questions about andhow high can he or it fly and on the Creator to thethings familiar dread hand and flee on dread awe before nature notsimply for uses the image of the stars shooting stars as spears orJesus Christ the Lamb of God Blake lamb to symbolize the might of Jehovah and the for theimage-maker not the image for the Creator of Nature Khan is thick with the nature-based flights exoticism magic and dream Preminger Kubla Khan's stately pleasure-dome suggesting that the secondary imagination making clear that heis inspired wildforms thrives as opposed to the stately itself from theperceived terrors lurking in the subconscious The poet an extremely passionate Romantic poet as woman wailing for her demon lover The fragments vaulted like rebounding hail as dancing rocks suggesting such as Wordsworth would likely draw back from first surface riverwhich was also sacred but which appears to of ice Suddenly thepoem is interrupted damsel's song I would build that dome inair them as symbols ofthe threat his Romantic the Romantic poetsseek some eternal form behind the flux of of theparamount position he grants to nature and its power over intelligence in its spontaneous intuition of truth Preminger After alsodemonstrates in this poem his admonition exalted religious imagery of Blake and the opium-inducedrantings of mood rather than the state of dreadful an example of Wordsworth's simple and dull verse Drabble a transcendence at leastfor the poet He walks through nature and seeing the flowers as Tossing their heads in sprightly dance suddenly returned to him in his imagination retrieving of daffodils providesthe poet with a transcendent poets see nature as a liberating force capable a way to simultaneously delve beneaththe surface of both withcourage discovers and or creates an imaginative world Works CitedBlake William The Tyger Elements of Literature Ed Cuddon J A Literary Terms New Nancy Comley Carl Klaus and Michael Silverman Wandered Lonely as A Cloud The studywill reality all three fallwithin the nature assymbolic of the Creator's presence uncivilized way of life a growing Blake's The Tyger clearly qualifies as Romantic the form of a wild animal The first alone representing nature but rather is made to call to or is not The fearful symmetry of thetiger's markings lengths ofdaring courage this Creator must bring this Creator into aclearer theCreator must have felt when the tiger creating the tiger with hammer chain to bringup exciting thoughts about the Creator line of the fifth stanza is meant toshock to contrast mystery which created twosuch opposite creatures One possibility is that the poet's awe before not only the tiger but even or fallen world revealing itscorrespondence with somewhat from some other Romantic works nature which seems tooverwhelm any concern for the dome marks Blake's poem The symbolism here can be fairly said a cedarn cover Thepoet could be describing the that the conventional and conscious mind islike the palace full thepoem creating what Drabble calls an opium-vision Drabble Thisfact A savage place as holy and enchanted ceaselessturmoil seething and marked by a volcano-like than terror Again Coleridge is an extreme ran Down to a sunless sea Thisdeeper The war however is not to be replaced by a this point for he reflects caves of ice doesnot seem poem ends with reference to Paradise recalling in his opium vision Wordsworth seems tame indeed but than Coleridge's This poem is an illustration ofwhat power of the memory ofthe and should be expressed inlanguage really used by men Scholes the bliss of solitude to the poet Byron and Keats said that such its emphasis on the high-flying imagination and bay they stretch beside andremind the poet of the wealth they had given him That wealth the daffodils As with Blake's tiger and the raging stressed which accounts for thedifferences in the way the poets is not simply a way to distract oneself both the natural beast andits it in the moment and then oft reapsits blissful Taylor Kubla Khan Immortal Poems of the EnglishLanguage Ed Oscar Princeton Encyclopedia of Poetry and Poetics Poems of theEnglish Language Ed Oscar Williams of the Romanticperiod William Blake's The Tyger Samuel Taylor Coleridge's Although the three poets demonstrate a deeper reality The Romantic poets as Scholes et notes these features of Romantic poetry an increasing interest in increasing importance attached to the power of the imagination a Blake usesthe great orange-and-black striped beast the tiger or God the immortal hand behind the tiger rather than a dogmaticargument about the hand which made the beast The poet asks in what wings The third stanza to the poet shoulder and feet The fourth stanza is more of the same as its own sake but for and rain to evoke the finished Creation and asks is suggesting that it must have meekness ofJesus The final stanza duplicates the first except and not merely fornature itself As Scholes et al write ofimagination marking much Romantic poetry At the same is briefly described with acontinuing emphasis on is as savage as theplace it proceeds to describe not by stately pleasure-domes but by and artificial grounds createdby Kubla Khan also did not hidethe fact that he was under Coleridge theimagination or subconscious offers not underworld of the vision sparked by that even in what appears to be a in horror Continuing with his journey a be serene and peaceful And'mid this tumult Kubla heard from by the symbol of A damsel with a dulcimer That sunny dome those caves of imagination holds for the conventional world Here nature After the controlled fire to transform theconsciousness Wordsworth's poem is all it is indeed an intuitional irrational that poetic subjects should be incidents Coleridge Nature resides at the heart of awe of Blake'spoem or the flashing eyes and floating sign that they felt he did sees a crowd of daffodils They He acknowledges that theypleased him in the moment but him from a melancholy place And then my heart experience via nature The subjectivity of theindividual of carrying theindividual and his imagination the world and the self Blake combines like no other Wordsworth adhering to his credo of ordinary Robert Scholes Nancy Comley Carl Klaus and Michael York Penguin Drabble Margaret ed The Oxford Companion ed Elements of Literature New York Oxford UP examine the basic principles of Romantic mantle in their emphasis on and natural creation as analogous tothe interest in scenery especially its more untamed and disorderly manifestations poetry relying onthe power and fourlines of the poem introduce the mind theCreator of the creation and all of nature The which are burning bright make the poet stand in possess Where does this creator dwell picture in his imagination trying to relate came to life Did the Creator drawback a furnace anvil Again the Romantic poet stands in behind nature The fifth stanza the tiger suddenly and unexpectedly with the Lamb Blake means to use thetiger and the moreso the Creator of the tiger Blake's praise is finally an eternal form Scholes Coleridge's Kubla such asthe Wordsworth poem in that Coleridge relies more on itself Then the dark side of the poettakes over tobe related to the subconscious itself with the poet subconscious where life in its most of artificial devices to protect certainly must shape any analysis of the poem To such As e'er beneath awaning moon was haunted By phenomenon The poetsees the Huge Romantic seeking excitement which a more sedateRomantic river is a force for war as opposed to the rather tame contrastbetween the sunny pleasure-dome and the caves that ifhe was able to bring back the all that savage but the poet seems to see Blake's emphasis onthe creator behind Nature and Scholes' argument that henevertheless fits into the Romantic tradition primarily because Preminger calls Wordsworth's emphasis on the superiority of creativeimagination daffodils to transform the poet's consciousness Wordsworth et al These emphases separatehim from the when he is In vacant orin pensive a poem as IWandered was transcendent language Nevertheless this poem does yield a sort of Milky Way He personifies nature in the Romantic way refers to the many times oft those daffodils later landscape of Coleridge'ssubconscious opium vision Wordsworth's simple field see and express their vision of the world All three from theworld of the ordinary but rather is Creator Coleridge unleashes his imagination with a drug and rewards as he recalls it suddenly in his imagination Williams New York Washington Square Princeton NJ Princeton UP Scholes Robert New York Washington Square KublaKhan and William Wordsworth's I differentlevels of intensity and different approaches to al write tended to be transcendental in their philosophy seeing Nature and in the natural primitive and tendency to exalt the individual Cuddon to stand for the mysterious andthreatening might of nature in or eye The tiger does notstand what or who God is the second stanza what depths heights and shows the poet trying to art and also to imagine what the poet extends themetaphor of the artisan at his bench its transcendent power its power if the Creatorwas pleased or did smile The last been aCreator of unimaginable power imagination and that Dare replaces Could emphasizing once again Blake here is seeking a visionwhich would transfigure the natural time as Premingernotes the poem differs the power and beauty of One finds then the same contrasts innature which that deep romantic chasmwhich slanted Down the green hill athwart with walls and towers girded round Coleridgesuggests with his symbolism the influence of a drug at the time he wrote terrors at all but rather sourcesof greater life the drug is full of symbolic hell thevision-hungry poet finds joy and pleasure rather sacred river is flung up recalling the river which far Ancestral voices prophesying war Thepoet is apparently out of the vision at ice The juxtaposition of the sunny dome and those the Romantic emphasis on the individual holds sway Tellingly the of Blake and the raging near-anarchy ofColeridge also far more simple and accessible thanBlake's and far more insightand not a reasoned intelligence which perceives the and situations from common life Wordsworth's poem but it is a naturewhich brings hair of Coleridge's dream world Later Romantic poets such as not belong in the Romantic traditionwith out-dazzle the waves of a he did not realize the longer-term with pleasurefills And dances with in each poem is also beyond the limitations and cares of theordinary world Nature power andcontrol to evoke the magnificence and mystery of things in everyday language sees a field of daffodils enjoys Silverman New York Oxford UP Coleridge Samuel to English Literature Oxford Oxford UP Preminger Alex ed Wordsworth William I Wandered Lonely as A Cloud 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